Theatre
I have to confess that I have not spent too much time watching the much-loved TV series. Not because Iā¦
Owen and Olly are back, bringing their Christmas Swingalong to Edinburghās Usher Hall.
Homerās Iliad and Odyssey are in some ways the poetic equivalents of Greek tragedy and comedy; the latter aā¦
Last yearās innovative lunchtime theatre series "A Play, A Pie and A Pint", a successful collaborationā¦
Internationally renowned Berlin based physical theatre company Familie Flƶz is back, not in full voice, (theyā¦
I Sniper is the story of Lyudmila Pavlichenko, deadliest of all the Soviet snipers of World War Two, withā¦
The premiere of Midsummer ā a play with songs in Autumn 2008 at the Traverse Theatre was a magical, romanticā¦
āTrains and boats and planesā, says the Burt Bacharach song about love being lost through public transport.ā¦
Yes, folks itās Panto time again.
The well-known tale of Cinderella has been adapted in fine local style for this yearās Brunton Panto by Markā¦
Everyone loves a good panto, and it doesn’t get any better than the traditional Edinburgh panto at theā¦
This yearās annual international visual theatre festival, manipulate is now in its 8th year.
How does one review a play that must be kept a secret?
Before the performance even began, from simply staring at the set, one sensed that this production was goingā¦
Aerialists Debbie Robbins and Rachael Macintyre aim to challenge the stigma surrounding depression through aā¦
Itās sleazy. Itās sassy. Itās Prohibition-era Chicago, where guns are easy to come by and the girls areā¦
Linguistically crafted as if written by Oscar Wilde himself, this insightful play delves into the unseenā¦
Rufus Norris accentuates the bleak and the brutal in an austere Macbeth, fitting for our time.
First staged in 1951, Rogers and Hammerstein āThe King and Iā is based on Margaret Landon's novel, āAnna andā¦
The real case of the āman on the moorā caused considerable interest at the time, in part prompted by a seriesā¦