Drama
St Jude, the patron saint of lost causes, gives his name to the grubby fictional Tube station that’s the well…
In the 1980s, the TV sitcom Hi-de-Hi, set in a 1960s holiday camp run by yellow coats with all its behind…
Revolt. She Said. Revolt Again. is a searing, raging account of the positioning of women in the world and the…
The air is filled with the drone of heavy aircraft engines, punctuated by radio comms chatter as bomber…
A stripped back Measure For Measure from Cheek by Jowl and Moscow’s Pushkin Theatre bares the soul of…
On a new bridge before dawn, when mist is still swirling across the river, a young man (Duncan Riches) stands…
‘And so to the Jury’s Inn hostelry, there to see an lively group of actors perform some drolls…’
Lee Hall is best known for Billy Elliot, but in 1997 his play Spoonface Steinberg was broadcast by the BBC to…
Friends, we are gathered today to bid farewell to our Friend, Mr Matthew Chambers.
Welcome to RAF Waddington, home of the “Chairforce”, where pilots operate drone aircraft to stalk the skies…
‘Bubble Revolution’ claims to be ‘a fairytale about growing up during and after the fall of communism in…
Mark Thomas’ ‘The Red Shed’ is subtitled ‘a topical tale of the miners’ strike’. It does, however, feature a…
Kat Woods, acclaimed Irish writer of Belfast Boy and Wasted, returns to this year’s Fringe with her new play…
Katy is going to tell us a story. Stories are important to Katy, as are rules.
Now tonight is one for the cultural socionomical history books, tonight of all nights, tonight and only…
There is something deeply ancestral about the effect of unaccompanied Scottish psalms on even the most…
The sound is deafening as an Edinburgh-bound train rolls loudly across the Forth Rail Bridge.
There was a time when a troll was something associated with the Norwegian folk tale The Three Billy Goats…
What country, friends, is this? Why, this is Illyria, a slightly shabby sea-side resort where end-of-the-…
‘Why are we given so much life?’ asks Willy Russell’s Shirley Valentine. ‘The Lounge’ poses the same question…