Five young finalists were duly awarded and recognised for their outstanding gifts, and for their contribution made to modern choral music.
Following two opening works, the Revd Adrian Porter gave a brief introduction – it was interesting to recall that in the year when we’re particularly remembering Palestrina (this being the 500th anniversary of his birth), it was apt that in this concert too there was a blend of celebrating events in our lives when both our hearts burst with joy… and sometimes break with sorrow. This afternoon’s pieces reflected something of that kaleidoscope of life – in investing all that we can, despite it all, that goes into creating something wonderfully new.
We then heard from the two young musicians whose compositions had been ‘highly commended’. Jonathan Love’s setting of the ‘Benedictus’ captured a number of different genres all in one work – mirroring the mixed moods of the biblical text itself; while Adam Chapple’s rendering of the ‘Gloria’ took us into new territory – with its discordant, but mesmerising directions.
The three finalists were Christian Wong, with his innovative setting of ‘O Nata Lux’. Magnus Graham’s version of ‘The Prophet’s Prayer’ grew consistently in strength and colour – but beautifully incorporated the gift of intentional silence. Giles Longstaff ultimately claimed the first prize with ‘The Lord of Life’ (text: Johann Peter Lange) – a fast-moving melody, evoking the joy of the Resurrection, while accompanied by organ: captivating and entrancing, yet very accessible – also performed as the encore, it reveals even more depths the more times you hear it.
The format of this annual Fringe fixture continues to evolve and develop, since its inception in 2023. Under the respected lead of Calum Robertson, the Festival Choir did particularly well this year, having only been given a very short time in which to perfect all the new pieces! But ultimately, there are two unique and remarkable things about this initiative: even those of us with a musical background cannot but be humbled by the incredible depth of talent that the young musicians participating demonstrate; but it is also the overarching concept of this entire venture – something new and exciting, with a fresh vision and concept. The Young Musicians’ Competition ensures that the traditional choral tradition endures – through the encouragement and support given to the next generation, and it is great to see such new talent continually coming forward.
The recital finished at 2.05pm.
Young Composers: Competition Recital, Monday 11th August 2025, Canongate Kirk